Imagine my delight to stumble across the piece of fabric below at an antique show. This fabric looks like a Fortuny piece of fabric, but isn't signed. Regardless of it's heritage, it's a wonderful piece of fabric.
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Option #1 This option is really cool, it has the two urns on top, and the wonderful floral swags at the bottom of the pillow.
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Option #2. This option is fun, has the feathery look with the tassels at the top, bow in center.
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Option #3. This would be the bottom half of the design, with the floral swags and urn being the feature.
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The choices are two pillows with option 1, or 4 pillows with options 2 &3. I've decided to place it out here to get some input from you on favorite pattern.
I have made quite a few pillows out of vintage "scrap" ranging from fabric, to embroidery or beadwork. Below is a beautiful pillow made from a piece of 19th century French metallic embroidery. I love the muted faded colors.
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Here's a pillow that was a beadwork tray. I chose the brown trims after looking at several different colors and this seemed to work the best with the bright colors. The beading is amazing. It is a Victorian piece, with a bead on every stitch in the canvas. Beadwork was very popular then, and the interesting part about it is that beads don't fade the way threads do, so it is as vibrant as the day it was made.
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(You can always right click on the photo, click "view photo", for an enlargement.)
Sometimes I do my own needlepoint for pillows, antique dog needlepoint is hard to find, and I tend to like to keep them in a picture frame--another subject.
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An antique tea cosy makes a great pillow. They were made to cover a porcelain teapot and keep it warm. (I'm always delighted to find phrases that other cultures use that are descriptive. The British keep their tea cosy!) Anyway, the cosy is heavily padded, and I slip a thin pillow inside the cosy. That way you aren't destroying the antique to use it.
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I totally love the colors of the background, they really go well in a number of rooms. I have used it on a bed with a grey blue colorway, and with more neutal beiges. The pillow is a reproduction of "Red Boy" by Goya, painted in the 1790's. (Metropolitan Museum of Art if you want to see it) I love putting some red in a room, it really adds alot to a room. I love everything in the pillow, the cats, the bird in the cage, and Red Boy, all dressed up, the colors are wonderful.
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Below is a pillow I picked up at an antique show. The piece is an Elizabethan style needlepoint, made with chenille needlepoint, with very vintage metallic lace, and very old cream velvet. The metallic lace has tarnished with age, and some of the chenille has fallen apart, but the embroidery motifs were outlined with stitching, so the loss doesn't affect the overall design.
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Here's a project I'm also working on. I got some wonderful grey cord to work with,as the edge is frayed and needs to have something sewn to secure it. I was thinking a round pillow, but a square one might stress the needlework less. Isn't it adorable with the swan! While I don't really care for Victorian furniture, other Victorian items are so whimsical and fun, it has to bring a smile. I especially love their fascination with animals.
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I will update the pillow saga when I finish the fabric pillows. I also love fabric pillows, toile. It might be awhile--my sewing machine foot got left at our "ranch", 600 miles away. It will be month before I get back to this.
UPDATE: April 4, 2012. A fellow blogger challenged my Fortuny fabric below. Unfortunately I used the selvage that had the most clear Fortuny stamp on it, but thought I would share a faint one:
I'm not taking apart the pillow, but I would like to point out that one of the big name Fortuny pillow websites had this design in pillows, identified as Fortuny, on their website about the time I had written this blog. I am not about to take apart my pillow to show the brighter signature. Should have taken a photo, I know....